Reunion with N94891


This is a regular blog post. If you’re looking for show notes or show audio, please check out the other posts.

The day started out with me coming in to the office with a suitcase in the car and plans to bug out for Hillsdale at 10:30 to train that afternoon and Saturday morning in the FlightDesign CTSW. There was a decent hole in the weather and I was looking forward to flying something after not having flown since the CAP Form 5 ride on the 8th.

Then the call. The instructor sounds like nine miles of bad road and tells me that she’s deathly ill. And it looks like we’re going to get eight inches of snow Saturday. From pretty excited about flying to facing another day in the office. Crap!

But lo! Is there not another opportunity? Yes! I call Solo Aviation at Ann Arbor. Might N94891 and an instructor be available this afternoon for a checkout? Yes, you say? I’ll be there at 3:00!

Long story short, yesterday I flew the C-152 that I first soloed back on July 14, 2001 and last flew in August of that year.

I had originally planned to go fly her a few weeks ago, but the weather conspired to keep me on the ground. Nevertheless, I sat down with CFI Joe Politowicz that day and did the airplane questionnaire and filled out all of the paperwork so that I’d be good to go the next time.

Which, of course, was this time.

I arrived early, pleased to find that Joe was going to do my checkout. Interestingly, Joe was on a search and rescue mission in 891 when I showed up. A couple that was dog-sitting for their children had inadvertently lost the dog and Joe was up with one of them, flying the aircraft over the southwest part of town while she spotted the dog and the rest of the ad-hoc ground team tried to find the dog on the ground. The aircrew had actually found and tracked the dog at a couple of points and was directing the ground team toward the dog, but ultimately to no avail.

I couldn’t help immediately recruiting the entire group for Civil Air Patrol. If they can coordinate an air and ground search for a dog running around Ann Arbor, finding downed aircraft should be a cinch!

1.0 hours with slow flight, steep turns, stalls, and four takeoffs and landings. It was a cold day, we departed with only 16 gallons of fuel, and 891 has since been fitted with a great climb prop, so climb performance was virtually indistinguishable from that of the 172s I’ve been flying. Light chop up to about 1,000 AGL and it was clear that we were in a smaller airplane, but not annoyingly so.

The real differences were in the sight picture and in stability. I did some turns, climbs, and descents to get used to the airplane, and then we slowed up for slow flight.

I did amazingly well with the slow flight for having to essentially guess at power settings and pitch sight picture. Got her down below 40 knots and she just stayed there. I has a few altitude excursions of about 100 feet either way, but minor adjustments in power took care of that. Additionally, when I was low and had to get her back up, I didn’t have to claw for altitude like I seem to have to in the 172. Just a little more power and she came right back up without having to worry too much about bracketing the airspeed. I find (and maybe it’s just me) that, when you’re on the back side of the power curve in a 172 and you get low in slow flight, you give it more gas and everything else wants to change. With 891, I changed the power, everything else stayed essentially the same, and she was back on altitude more quickly without having to get everything else back under control.

I also noticed that I really didn’t do much at all with trim. I’ve lately really concentrated on trying to trim hands-off every time I change anything. It makes flying on instruments a lot easier if the airplane is trimmed out. But trim didn’t seem to make much difference in 891 and I ended up just varying pitch by minor changes in yoke pressure.

In the stalls, and somewhat in slow flight, 891 really reminded me of what made me leery of 152s as opposed to the Cherokees that I had been flying immediately before going to Air One Aviation in 2001. As compared to any other airplane I’ve ever flown, the 152 really wants to drop a wing when it gets slow. You need to be on your rudder pedals if you’re going to stall a 152. Good to learn with any airplane, but you have to have those skills solid in the 152. In each stall, she immediately started dropping a wing. The ailerons were complete mush each time and I recovered the wing drop with top rudder each time. Nothing extreme, but it’ll remind you of how important coordination is.

By the way, I’ve found that “top rudder” is a good rule for recoveries of this kind. If you’re stalled or nearly so and beginning to roll and you want to have just one rule to remember, “step on the sky.” In the stall, your ailerons are almost useless or, if they are useful, they can have the effect of accelerating the stall if used incorrectly. The rudder is your most useful remaining control surface. I put that to good use in 891, just as I did when Don Fuller was instructing me in it. When she dropped the wing in the stall, I just caught it with the rudder while powering up and pushing the nose over.

The cold day and the climb prop meant that we were way nose-up in the power-on stall when the break came. I only used about 80% power and didn’t wait for a full break to recover. I didn’t want to try a tail slide in the airplane.

Back to the pattern. She’s a sweetheart in the landings just like I remember. Wind was about 10 knots and about 40 degreed off to the right with some gusting. We kept it to 20 degrees of flaps where we used them at all. One normal landing, one pinpoint (which I think I got within about 40 feet of the numbers, although I dropped it pretty hard), one no-flap landing, and one victory lap.

Joe was a joy to have in the right seat. He’s an Airspeed listener and was kind enough to bring up a couple of episodes while we were getting ready to fly. He’s also a good instructor. Relatively few instructors take the time to develop a solid understanding of who’s going to do what in the cockpit and to lay out the mission profile before you get into the airplane. I spend a lot of time talking about how primary students and instructors interact, but rarely talk about how CFIs interact with more experienced pilots. Joe was quick to offer suggestions for flying the airplane, but just as quick to say that, if I had learned something differently, any technique that I used that was reasonable and safe was fine with him.

I was all about hearing suggestions. After all, it had been years since I’d flown a C-152.
So we ended up having a really productive flight. I got really helpful coaching and suggestions at important phases of the flight. I rejected a couple of the suggestions at the time (e.g. bleeding off 200 feet on downwind before turning base) because I was busy and in a flow, but Joe’s the kind of guy that you can tell that you’re going to fly it your way this trip around because you’re busy and pick up his suggestion on the next time around. He took that just fine and I tried it out on the next trip around the pattern. And he was right.

I’ll fly with Joe any day of the week. Good instructor, good communicator, and solid human.

And I’ll fly anything on the line at Solo. Great staff and well-maintained airplanes. I saw at least two primary students while I was there and overheard one’s ground lesson and was pretty impressed with what I heard.

None of the landings were what I’d call beautiful, but they were all safe and competent and gave me the feeling that I could make them beautiful with a little more practice in the airplane.

Joe signed me off to rent her whenever I want to for the next year. That’s really nice. I don’t know how much I’m actually going to be back in Ann Arbor and have time to go fly 891, but it was really wonderful to go back up and become reacquainted with this stalwart pilot-maker. How many other first solos have happened in 891? How many other cross-countries and checkrides? I’m really just a passing occupant of the airplane, but I’ll sing her praises long and loudly.

What airplane did you first solo? Where is it now? Do you miss it? Does it miss you? If you’re looking for a quest this summer in addition to a new rating or a unique $100 hamburger, try looking up the airplane that you first soloed and go get reacquainted. I did, and it was a great time!

How a Side Chair Should Look on Tuesdays


This is a regular blog post. If you’re looking for show notes or show audio, please check out the other posts.

Here’s how a side chair should look on Tuesdays. Ready to go hit a squadron meeting that evening. And, yeah, I change into uniform a little earlier than I have to before leaving because it’s just that cool to be seen for a few minutes around the office in a zoom bag.

Mary and the kids are out of town for the week, so I’m going to hit the squadron meeting tonight and drop off whatever copies of the most recent Form 5 I need to give to the squadron. Besides, Capt Craig is gong to do another G1000 presentation and I really want to start flying the G1000-equipped C-182 soon.

If you’re a pilot or aspiring non-pilot flight crew and you’re not a member of Civil Air Patrol yet, (a) what the heck are you thinking? and (b) go find a few units near you (http://cap.findlocation.com/) and visit them!

Airspeed – Music – Part 3


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These are the show notes to an audio episode. You can listen online right here by clicking: http://media.libsyn.com/media/airspeed/AirspeedMusic3.mp3.

It’s high time to do another music episode of Airspeed and we have a great lineup for you today. As you know, I like to plug my iPod into the AUX input of the airplane’s panel whenever I can and have a soundtrack to my flight.

Note that, as inspiring as music can be, it can also be a distraction and might keep you from hearing important radio calls. Be absolutely sure that the music doesn’t distract you or interfere with any radio or intercom communication. You are the pilot in command and you’re ultimately responsible for the safety of your flight, so act accordingly.

Solas – Coconut Dog/Morning Dew

http://www.amazon.com/Reunion-Decade-Solas-bonus-DVD/dp/B000F1HG9M

First up is Solas with Coconut Dog and Morning Dew. I’ve always loved most music that requires motor skills to play and Solas delivers that in spades with its particular brand of Celtic music. My uncle turned me on to Solas when I was in Boston in 2007 for Civil Air Patrol National Legal Officer College. I was also finishing up my instrument rating and preparing for the checkride at the time and this tune from “Reunion: A Decade of Solas” became my theme music for the instrument checkride. I particularly like Seamus Egan’s guitar run about two thirds of the way through the tune because it’s intricate, it’s played well, and it’s back by knuckle-dragging triplets by the persussion. I’m the only guy I know who plays air bodhrán (pron. bow-rawn) and this piece should give you an indication of why.

[Solas]

Liquid Tension Experiment – Acid Rain

http://www.amazon.com/Liquid-Tension-Experiment-2/dp/B00000J7UT/ref=ntt_mus_ep_dpi_2

Many of you know that Liquid Tension Experiment’s second album is my perennial “blare-in-the-car-on-the-way-to-airshow” music. I really enjoy the mix of syncopation and change-ups among the really solid and driving stuff that you can really get your teeth into. This is the music I most closely associate with flying aerobatics. All adrenaline but under precise control. This is Acid Rain. Check it out.

[Acid Rain 1]

And, by the way, this tune gets the Airspeed award for best use of a cowbell in progressive rock. You gotta hear this. Huge, monumental buildup, a whack on the cowbell, and then off into more crunchy groove.

[Acid Rain 2]

Steve Reich – Grand Valley State University New Music Ensemble – Music for 18 Musicians

http://www.amazon.com/Music-for-18-Musicians/dp/B000WDVNOM/ref=sr_1_1?ie=UTF8&s=music&qid=1234710385&sr=1-1

I tweet every once in awhile about the Grand Valley State University’s recording of Steve Reich’s Music for 18 Musicians. It is what the title says. It’s a minimalist meditation on a cycle of 11 chords, mostly in a stream of 16th notes. It requires cello, violin, two clarinets, two bass clarinets, four pianos, three marimbas, two xylophones, a metallophone, and four women’s voices. You can’t actually play it with only 18 people unless several of the musicians double up on instruments. The piece is something like 45 minutes long and beautifully augments the parmonies as the pulses ebb and flow.

This piece is what it sounds like inside my head all the time. This music is almost transparent to me. It’s just there and fits right in with whatever I’m doing – tweaking little neurons from time to time when it hits something sympathetic. I don’t even have to pay attention to it. It just envelopes me and tells me that it’s there.

Ever read Louis Sarchar’s Sideways Stories from Wayside School? There’s a story in which Mrs. Jewels brings in Maurecia-flavored ice cream. Everyone thinks it tastes great, except that Maurecia can’t taste I because it’s – well – Maurecia-flavored. If I can take a liberty and say that Maurecia liked the ice cream a great deal because it was her best essence at some level and that it made her feel centered, balanced, creative, and ready for anything, then Music for 18 Musicians is Steve-flavored music. Here’s a snippet from Section VII.

[Music for 18 – Section VII.]

This is way too short to give you more than the smallest taste. It’s out on SACD and it costs twice what a regular CD does, but it’s worth every penny. Go get this music.

Rush – Out of the Cradle

http://www.amazon.com/Vapor-Trails-Rush/dp/B000065DTE/ref=sr_1_1?ie=UTF8&s=music&qid=1234724599&sr=1-1

I’ve been a Rush fan since 1985 when my friend lent me a tape of “Exit Stage Left.” I think I prefer the “Signals” era most, but I have every album since then, including all of the live ones and I like them all.

Guitarist Alex Lifeson is a pilot and is, no doubt, the driving force behind the classic instrumental YYZ. Listen to the opening rhythm of YYZ. It’s the Morse code identifier for a VOR near Toronto. How cool is that?

But my musical adrenaline comes from drummer Neil Peart. I’ve been reading Neil’s book, Roadshow: Landscape with Drums and it’s fascinating to find about what goes into a rock tour of that size. I’ll definitely pick up Ghost Rider and Traveling Music, his other two books, soon.

There are no flies on Geddy or Alex, but I go to Rush shows to see Neil. I understand from reading Neil’s book so far that he’s uncomfortable with being called the greatest rock drummer ever. Okay, he’s a journeyman who takes his work seriously and I get that he might be uncomfortable with such characterizations. But Neil, I’d be lying if I said that you weren’t my favorite drummer. I hope that’s okay. And thank you very much for all you’ve done for me and others over the years. I know that Neil is a private guy and I respect that. But if you happen to know Neil and it’s convenient, please mention these small and grateful words to him.

The Rush piece that I’m featuring here comes as a little bit of a surprise. I hit me just right as I was waiting in line to pay for my sandwich at the Bloomfield Deli this year. It’s “Out of the Cradle,” the last tune on Vapor Trails. It starts out with a percussive bit on the bass that oozes anticipation and energy and quickly builds into the song proper. And Neil gives it two thumps on the tom on the one and two counts just before the vocals come in. Bomp, bomp.

[Out of the Cradle 1]

And my favorite moment of the song comes after the first chorus. The band just lets the basic groove happen for a few bars. Too few bands do that. Just let you recover from the chorus and gather up the energy to head into the next phase.

I still get nervous before I fly. All smart pilots do. To shake that off and take command of the ramp, I stomp on the pavement. Sumo style if you will. Bomp, bomp. To that same one-two that Neil plays. Flight is about humankind’s departure from the cradle. This song is very nearly perfect for flying in that respect. After your next preflight, walk away from the airplane a few steps, clear your mind, look around the ramp, and then stomp on it. Bomp, bomp. Surge of energy. Spark of inspiration.

[Out of the Cradle 2]

California Guitar Trio – Punta Patri

http://www.amazon.com/Opening-Act-California-Guitar-Trio/dp/B0011AE8X8/ref=sr_1_9?ie=UTF8&s=music&qid=1234710478&sr=1-9

I first heard California Guitar Trio on public radio while working late one night in 1999. I bought the album “An Opening Act” shortly thereafter and listened to it a lot. It’s all live and recorded during one or more dates upon which the trio opened for King Crimson. One particular tune, Punta Patri, has a really powerful part to it. Take a listen . . .

[Punta 1]

I really like the driving guitars and the layered sound. Kind of hard to believe that it’s just three acoustic guitars.

I first identified this at the Wayne State University Law School’s library while I was researching some state regulatory schemes on service contracts. The Tom Hanks –produced miniseries From the Earth to the Moon was fresh in my mind at the time and all I could think of as I listened to that part was an Apollo Saturn V launch. The last major built-in hold for the Apollo-era launches was at T-minus 2:00. Interestingly enough, the really dramatic part of Punta Patri takes place two minutes into the piece. I choose to think that it’s not a coincidence. To hear it the way I hear it, let me superimpose audio from the Apollo 14 launch and you tell me what you think.

[Punta with Apollo 14 launch]

Yeah, I thought so. Really powerful stuff and wonderful use of acoustic guitars.

Theme From Milliways (Go for TMI)

Lastly, I’m pretty excited to over you this, an original composition. For those familiar with the Airspeed episode from October of 2006 called “First Solo,” this is the music from it.

I originally wrote it on a Martin Backpacker guitar tuned DADGAD. It’s named after Douglas Adams’ fictional restaurant at the end of the universe and for the cabin in Northern Michigan that belongs to my friend and legal mentor. The “Go for TMI” part got added when I decided to make it a part of my upcoming album, Songs from the Sheffield – The First folk Music of the Journey to Mars and Back. When the Apollo missions went to the moon, they first boosted into Earth orbit and then did a burn that sent them on a trajectory to the moon. “Trans-Lunar Injection” or “TLI.” I presume that “TMI” is therefore an appropriate term for the big burn that sends the spacecraft to Mars.

I sent all of the tracks to audio wizard Scott Cannizzaro a month or so ago and asked him to remix it a little and augment is as he saw fit so that I can make it available to Will and Rico of Wilco Films for use in the upcoming independent film, A Pilot’s Story. What came back was really amazing. I’ll play a little of my initial recording done in my basement and then play the whole thing as remixed by Scott.

[Theme from Milliways (Go for TMI)]

_________________________________

Check out Scott Cannizzaro at http://www.nycmixer.com/

All music selections used as permitted by 17 USC § 107. See the contact information in the sidebar for DMCA contact information.

CAP Instrument Form 5 Ride

This is a regular blog post. Show notes and links to show audio are in other posts.

I passed my CAP Form 5 instrument checkout for Category 1 aircraft (like the C-172R with steam gages that we flew). If you want to be a CAP pilot, you have to, in addition to possessing all of the required FAA qualifications, pass a CAP-administered checkout each year. It’s done on CAP Form 5 and many refer to it as the “Form 5 checkride” or just “getting Form Fived.”

Capt Alex Craig administered the checkride. Two of us got our rides successively, first me and then SM Scott Gilliand. Scott is a newer private pilot and was doing the VFR checkride. I did the VFR Form 5 in August and was adding on the instrument checkout.


I was first to fly. I planned and filed an IFR flight to Grand Rapids (KGRR) using airways. We diverted at HARWL, flew a hold there (one turn partial panel), and then shot three approaches in to Jackson – Two VORs (one partial panel) and one ILS. I think we were in actual for part of the way there. My hood covers the windshield reasonably well (and I sit low to allow full control travel over my kneeboard), but there’s always that little part of the window down and left that’s hard to block. I’d rather block it. It’s disorienting sometimes.

I passed, but it wasn’t spectacular. I blew a couple of things. Nothing awful or unsafe, but nevertheless not perfect. Alex gave me a deserved admonition to go get a safety pilot and get the rest of the rust off. And I’m planning to do just that.

Frankly, the IFR add-on was so that I could fly a little more capably when Norm Malek and I get out and start covering a lot more of Michigan this summer. We’ll both be CAP qualified instrument drivers and we’re getting pretty good at our CRM rhythm. That makes for a very capable aircrew and we’re going to fine tune it even more.


Alex quipped that Scott, as a lower-time pilot, was likely to fly very well because he had no bad habits to break and was likely still flying to private PTS or better. And, in fact, Scott flew very well. He nailed the airwork and did a lot of it to ATP quality with the needles just frozen in place. Not bad at all for his first time in this airplane! I was really impressed from the back seat.

We did Scott’s pattern work at Willow Run (KYIP). It was a really nice day with light winds and clear sky. Here you can see the steam from the Fermi II nuclear plant a long way off with Willow run in the foreground (we’re on a right downwind for 23R). That’s the kind of plume that tells you that there’s not much going on in terms of winds aloft.


I don’t get to ride in back much at all. In fact, this was my first time in the back of a C-172 since I was a kid. We paid very close attention to the weight and balance on the flight. We were 25 pounds short of max gross and in the back third of the CG envelope (but well within it). I took a lot of pictures and had a pretty good time. It was also great to be able to just sit there and watch someone else take a checkride. It gives you time to think about your own flying and identify procedures that you’re missing or that you might want to add to your own tool kit.

Ann Arbor (KARB) was swarming with airplanes. This was the first really nice day in a long time and it seemed like everyone was out for a few trips around the pattern. Even people hanging around the ramp who weren’t flying, just so be there and watch. We were number three in the conga line on the way back in to 24 and it was clear that the pattern was pretty full. Willow Run, just a few miles to the east, is a really well-kept secret. We had 23R to ourselves the whole time we were there. It’s still my favorite airport.

On to more cross-country go-places flying this summer!

Prepping for CAP Instrument Form 5 – Flying Sim


This is a regular blog post. If you’re looking for show notes or links to show ausio, please check the other posts.

The CAP Form 5 instrument check is tomorrow. So I headed in the DCT Aviation to fly some sim and do more preparation. As many of you know, I took the Form 5 ride in August in a C-172P. I opted not to go for the full IFR ride because I was unfamiliar with the panel and didn’t want to waste the check airman’s time. As it was, I flew a lot of the VFR checkride on the gages and I think I would have had a 60-40 chance of passing the instrument version of the Form 5, but that’s not how I roll. I don’t like walking in less than fully prepared.

Cole, my FO, went with me. As is wise before a grueling sim session, we hit grabbed breakfast.


I flew a lot of sim prior to my instrument rating checkride in 2007 and it helped a lot. Not least because the airplane is a heck of a lot easier to fly than the sim. It was so nice to get back in the airplane after flying hours and hours of sim.

Anyway, I shot the ILS 23L at KYIP twice, the VOR 24 at KARB twice, and then the VOR A KYIP with a circle to land on 32. Things really improved after the first approach and I seem to have dialed it in pretty well. Some of it was getting the throttle settings for various phases right. It turns out that the sim is pretty accurate in terms of performance. 2100 RPM and 10 degrees of flaps gets you 90 knots maneuvering and about 1700 RPM gets you a nice ride down the glideslope at 90 knots over the ground in most wind conditions.


Here’s the inbound leg of the parallel entry for the hold at SVM prior to shooting the VOR 24 at ARB. The simulator doesn’t lie. There are parts of my flying that I like and parts that I don’t. The turn here was nice. The outbound leg was offset very uniformly, which tells me that I just accepted the offset all the way out without correcting. Not the worst thing in the world, but I should be better on that. Altitude is very sawtooth-looking, but I’m not going to complain about that. I’ve never met a sim that was any good whatsoever in pitch. Pitch works so much better in the actual airplane.


Here’s how Cole spent much of the sim session. When I flew sim at DCT in 2007, Cole came along and sat at a desk and watched DVDs on a DVD player that I brought in. DCT has taken this idea to heard and there’s a DVD player in the sim room. You can bring your kid along, hook him or her up with headphones, and let him or her watch DVDs while you fly. Cole’s watching Fighter Pilot: Operation Red Flag. For the 20th time. Not kidding. And he loves it. Love my boy, I do!

If you’re near Oakland County International Airport (KPTK) and you want a really good and friendly sim environment to polish up for a checkride or anything else, check out DCT Aviation.

DCT Aviation
6226 N.Service Drive
Waterford, Michigan 48327
248-666-1800
info@dctaviation.com
Monday-Friday – 8am-8pm
Weekends – 8am-5pm