Inside Airshows – Part 3: Tuskegee 3 – Audio Episode Show Notes

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These are the show notes to an audio episode. You can listen to the show audio by clicking here:  Better yet, subscribe to Airspeed through iTunes or your other favorite podcatcher. It’s all free!

If you want to understand a subculture or an experience, a great way to do that is to take an outsider and plunge him into the place you want to know about, wait awhile, then drag him back to the surface and wring him out to see how it changed him.  It’s even better if you can get the guy to wring himself out.  You begin to realize that not everybody who writes about the majesty of flight does it because he’s a fighter pilot.  Some of us write because we’re not fighter pilots.

You also need to talk about the world in its own terms, using the lexicon of the world, sometimes without explaining the vocabulary to the uninitiated, except maybe through context.  If you’re a pilot, you’ll understand most of this.  If you’re not a pilot, that’s okay, because you’ll feel a little of the strangeness of this world and you’ll put it together in context and in realtime.  Just like I did.  In some ways, you’re in for a better ride than the pilots.

There are three things you need to know about me.

First, I’m a pretty average Joe.  I’m 46.  By any reasonable estimation, my life is more than half over.  I live in the suburbs.  I have a wife and two kids.  I run the rat race every day about as well as the next guy.  You wouldn’t recognize me if you ran into me in the grocery store.

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Second, I always wanted to be an astronaut.

Third, I realized a few years ago that it was entirely up to me where between that baseline and that dream I would live each day of the rest of my life.


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Listen to this.

[ICAS hall noise.]

This is the sound of a magical zone in spacetime.  It’s a room with about 60,000 square feet of floor space.  It’s at the Paris Las Vegas Hotel and Casino in Las Vegas, Nevada.  I don’t know what happens in that room for the other 361 days each year.  I’m not even sure that this room  exists for the other 361 days of the year.  But, for four days each December, it’s filled wall to wall with just about every airshow performer who’s active anywhere in the us and Canada.  This is the exhibit hall at the International Council of Air Shows annual convention.

Standing at the back of the hall facing the doors way across the room, the Thunderbirds and the other Air Force TAC DEMO and static display pilots and leadership are off to the left against the far wall.  The Blue Angels and the rest of the Navy and Marine Corps contingent are on the opposite wall.  The Snowbirds are in the middle on this side.  Sean Tucker, Mike Goulian, Skip Stewart, Patty Wagstaff, Bill Stein, Rob Holland, Billy Werth, Greg Koontz, Kent Pietsch, Andy Anderson, Bob Carlton, Gene Soucy, Scooter Yoak, Team Aerodynamix, John Klatt . . . every one of them is in this room right now.  Hanging out.  Booking next year’s appearances. Swapping stories.  Doing whatever superheroes do when they get together each year between seasons. [Read more...]

Inside Airshows – Part 2: With a Mic in My Hand – Audio Episode Show Notes

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These are the show notes to an audio episode. You can listen to the show audio by clicking here:  Better yet, subscribe to Airspeed through iTunes or your other favorite podcatcher. It’s all free!

A narrator can make or break an airshow act.  Especially for an audience that doesn’t understand what it’s seeing.

You’ve heard me say it before.  John Mohr, Greg Koontz, Kent Pietsch, and others cast pearls before swine.  I don’t mean to sound rude or elitist.  It’s just true.  Most of the audience has no idea how difficult some of those maneuvers are.  You and I know that it’s very often not how fast but how slow, and not how high but how low, that is the really amazing thing about an airshow performance.

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If the announcer isn’t there telling the crowd  what to look for, there’s no way they’ll get it.  Take John Mohr.  He rolls a stock Stearman inverted low to the ground.  He holds it there until the engine sputters and eventually quits from fuel exhaustion.  The Stearman has a very slow roll rate.  If John doesn’t do a lot of things right – and immediately – he’ll make contact with the ground inverted in an open-cockpit aircraft.  He has to know without a doubt that he can get the aircraft rolled upright in time to either get the engine restarted or land on the wheels. [Read more...]

Inside Airshows – Part 1: Running Away to Join the Circus – Audio Episode Show Notes


These are the show notes to an audio episode. You can listen to the show audio by clicking here:  Better yet, subscribe to Airspeed through iTunes or your other favorite podcatcher. It’s all free!

There are three things you need to know about yourself.  Who you are, what you want to be, and, if there’s a difference between the two, what you’re going to do about that difference every day for the rest of your life.

Sometimes, the act of answering those questions creates a change that alters who you are in profound ways.  I answered those questions in 1998 after I watched the Tom-Hanks-produced HBO miniseries From the Earth to the Moon.  Being honest, the answers were (1) law student and soon-to-be-lawyer, (2) astronaut, and (3) – well, what?

Shortly after passing the bar and beginning law practice, I decided to look into flight training.  Even knowing that becoming an astronaut was a non-starter, being the pilot in command of an aircraft was a pretty good step in that direction and it gave me most of what I needed in the way of inspiration.

It wasn’t long after becoming a pilot and beginning to add additional ratings and endorsements that I began to regularly go to airshows.  The desire to get close to airshows largely spawned the podcast to which you’re now listening, still active more than seven years and 200 episodes later.

I’ve been in the photo pit and on the ramp and actually inside the airshow box during shows for years.  I remain thankful to Roger Bishop, Patti Mitchell, Brett Bailey, and others at airshows from Battle Creek to Indy and otherwise for truly wonderful access.

But the perspective that I had, and that I conveyed, was that of a fan.  There’s nothing wrong with being a fan.  But I wanted to go deeper.  I wanted to know what it was like to be a part of the show.  To get so close to the performers, the crews, the air boss, the announcer, and the others who actually put on a show that I could tell a real story from that perspective. [Read more...]